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I thought I posted a reply. Just in case something went wrong, here it is again. I also followed step 8 and disabled the lesser graphics processor in Windows Device manager. When I disabled the lesser graphics processor in Windows Device manager as suggested in step 8, all hell broke loose.
Things began to misbehave in my regular Windows programs other than Photoshop. I had to re-enable using the onboard, lesser graphic card. Even after doing this, I noticed Photoshop was once agrain freezing. It was repeatable for a while in that I would duplicate the background layer, change it to a smart object, run the Nik filter Analog Efex Pro followed by using the Camera Raw filter. I stopped using Nik's Analog Efex Pro and the problem disappeared for a while.
Later in the day I again used Analof Efex Pro without incident. There is also another thing that I did. I do not believe the problem is solved. And again, the seemingly random nature of the problem "smells" like an unitialized variable. Also in thinking about the problem, I noticed the freeze up problem a short time before Photoshop was released. I am not sure how much before the release, maybe several weeks.
And just to reiterate a statement from the very beginning post, I do not have any problems with any other software on this computer; only Photoshop. The images are from a program name Speccy. And i notice some different behaviour from the one related above. In my case it freezes everytime i open, but only after a few seconds 30 sec. And the last strange behaviour i notice it is the fact that right after photoshop freezes, i tried to close in task manager but it does not appear there, i have to close the window of task manager and re-open , and then i shows up, and then i can force to close the process.
In the end we really need a set of steps, if there is any additional steps you may think will help please let us know. Daniel Presedo, thanks for looking into this.
First, I disabled the autosave and the freeze still occurs, so while the freezing is reduced in frequency, it still happens. I will need another day to experiment with your other suggestions. There is one thing I did today that stopped the freeze-up at least for the last few hours.
I used a program, JV16 Power Tools to clean my registry and remove a bunch of temp files. I won't know whether this permanently fixed the problem or just coincidentally fixed it for the time being until I have used the program more. My photoshop freezes everytime i open it, not only when i do it trough lightroom! Adobe Support Community.
Turn on suggestions. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. Showing results for. Show only Search instead for. Did you mean:. ON1 Photo RAW comes with a new line mask tool that allows you to cut out objects with precision.
It automatically detects edges and lets you brush around objects much more quickly than waiting for AI Quick Mask to do its thing. At least on my iMac. This definitely adds to the layer functionality, as does the Refine Edge brush.
This was a clear sky. One of the more exciting new features in ON1 Photo RAW — at least for some folks — is the new one-click sky replacement filter. There are lots of different controls, from shifting the edge to changing the lighting of the foreground.
You can also add atmospheric haze, change the brightness and warmth, etc. Sky Swap AI works well much of the time — especially with mountains and trees in the background though clearly not in the case of the photo above. ON1 has long been known for its filters and effects. Many — like Curves and Vignette — are just standard adjustments.
Others — like Sunshine and Grunge — will broaden out your creative editing opportunities. The masking and blending options are built-in with each filter, so you can easily pinpoint the area of the photo you want to affect.
Portrait AI can find multiple faces in an image, automatically locate their eyes and mouths, and then add just the right amount of retouching. The frequency-separation skin adjustments are especially impressive.
Each face in the photo has its own independent controls and adjustments, so you can manually adjust the skin, eyes, mouth, and lighting or leave it all up to AI. There are even options for face resculpting. Want to go back and make some changes?
No worries. All the changes are non-destructive, so you can go back at any time and fine-tune things. High quality presets are another thing ON1 has long been known for. It also lets you preview your presets next to each other.
Here, I think ON1 wins out over both Luminar and Lightroom, though Lightroom has far more third-party options available. The Spot Healing brush works by allowing you to select the area it takes information from — much like a Clone and Stamp tool. The prints you can make are impressive — Posters, placards, signs…even billboards! Resize is an industry class photo-enlargement app, and really is a fantastic addition to Photo RAW. Still, if you use ON1 Photo RAW as your main photo editor and use your devices in your photography work, the mobile plan can be a real game-changer.
It does just about everything you need from start to finish and even includes a decent print suite. Lightroom, however, has been around a lot longer: its functionality and features reflect that.
Thanks to it, you can automatically fill in several metadata fields and indicate titles of the photos using information from Lightroom. Run Lightroom. Find the folder with the downloaded plugin. Choose the plugin that you want to install. Select it and use it to enhance your photo. Besides paid Lightroom addons, you can use these free one-click presets to speed up your workflow.
They allow you to tweak colors by making them richer and more saturated, add soft skin tones, and fix the light by making it look more natural. All these features make these presets invaluable to photographers. Use them if you want to speed up your workflow and spend less time on post-processing.
By applying these presets, you can improve the white balance in your photos and emphasize warm colors. The plugins from this collection are compatible with Lightroom versions You can use them on Mac and Windows devices.
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It is simply not sustainable to continue to develop an application for a stagnating user base this way. There is simply not enough growth in the advanced photography population to draw in enough new customers.
As far as I know most of that population prefer to stick with their choice of tools, so it is unlikely to channel new customers from other tools in general, of course if Adobe screws up something, the rest of the industry gains from it. Each release circle it takes more and more effort to produce something significant for the existing customers to collect the upgrade money, and after each iteration it becomes harder to find such significant feature which would cater for the broad audience, so that path is out of the window.
Now it should be much higher to keep a lean production running, which is simply not possible as nobody would buy perpetual license for such high price. Screw it then. I am sure many capture one workflow people will be happy but I a, not paying subscription and on top another one for an incomplete non stand alone product. Same as Photoshop. Priced too low for professionals who will get the most utility from it and too high for the casual user. They should have either gone for the professional and price higher, or mass-market and lower, or tier the feature set so they can do both.
From the little we know so far, the features included look quite basic with more features to come. I'm willing to bet as features like masks and layers and tethering arrive, the subscription cost will increase. No word on whether curves will be added which is a real shame.
It would be pretty poor to subscribe to an app and made to wait endlessly for more advanced features to be added. From what we can read on the features from the C1 website, it sounds like this app will be quite basic, containing the sort of features you'd expect any photo editing app to contain as bare minimum. No idea how advanced the 'black and white conversion' will be, also no mention of curves which I find essential.
One thing I don't like is this C1 iPad is being released with a number of features to be added later like masks and layers. I only hope C1 can keep people informed when these features are likely to arrive and not keep users in the dark as so many other apps do.
What disappointing news then. I bought a top spec ipad to do Photoshop on the move. I was stunned at how poor it was, lacking so many key features and those it did have were so different to PS on a mac. It would require relearning how to use Photoshop. I bet C1 will be the same.
Sold the ipad and won't be going back. Get a laptop instead. I call my tablet a 'hand tv'. Because that's all it's good for. Media consumption pdf, movie, audio on the road. I would never try to do any 'work' on one of these things. The interface makes me feel like I'm drunk with mittens on. No thank you. Should have bought affinity photo for 20 quid on ipad which is very good , Photoshop on ipad looks like a toy compared with affinity.
I'm still using C1 Pro ver 11 from many years ago and it works great. I will never pay a monthly subscription for any software. I'm also running Windows 10, and I don't pay a subscription for that either, and it work great and gets free updates. There a lot of alternatives out there now. I think going forward, we have to get used to subscription based software if you want the good stuff! There are still some that don't require subscription, but nothing I want to use.
One can purchase a stand-alone one-off license and of course, stop using it at will. PAntunes, I agree. The OP's language seems at odds, best ask the OP what they actually meant. Raist3d - " I've used the Nik tools since they were actually owned by Nik so I've had UPoint for a long long time. The Google version was free and still available so its not like some secret recipe that is exclusive to DXO.
They also have been selling standalone. And it's a very acclaimed noise reduction. MDNL35, if it allows you to "be able to pick up where you left off on your creative process across devices", it needs some cloud storage.
And it would require some kind of "network" storage.. But not "cloud" storage. As it is, I cull on an ipad, and transfer selected images to my NAS for subsequent work. No cloud storage or subscription required.. Of course it wasn't free. Hard to imagine any professional that does any serious volume not having redundant local storage, though. But the ideia is that it doesn't have to be local storage.
It's something you'll use on location. Transfer pictures to the iPad or tether to it when that capability Is ready…. Edit locally on the iPad.
No internet required. Edit all you want. Then when you get home you transfer images with sidecars that contain your edits to your local network storage..
The idea here is that you don't have to do the transfer manually and that you don't have to go back to your studio to copy to your private NAS. And that's why you have to pay for a cloud service. Indeed, they talk about this in their video and on their blog. My guess is that they're still figuring out exactly what or how much to include, and where the cut off will be from where they start charging extra.
Will it be just enough to synchronize settings? Will it store some kind of proxy images? Will it be enough to transfer over about one whole session of full-size images? Maybe not even count in GB's, but in number of images or sessions.
Maybe it'll even work on some kind of fair-use basis. They did not say how much. At the moment it works only with full size images and only 1 way…. I have a Gucci ipad that I got for Christmas. I never use it. If it had a hole in the side that I could stick an sd card into it might be different. I can't be bothered with the whole faffing around process swapping cards in and out of machines, and uploading and downloading.
It's easier to just use a laptop or pc, and leave the ipad out of the equation entirely. Here it goes down the subscription model sewage pipe: CO's once biggest advantage over Adobe CO has had a subscription model for years now. However on the desktop you have a choice. With this new product and CO's bend towards an only Apple product line they are ignoring Windows and have closed several Windows bug issues without comment or "fixes" expect to get with the plan.
If you can afford a Apple product, expect to pay Apple tax rates. And since cloud storage becomes essential a subscription model is the only manageable option from a cost standpoint. Sigma's been on a roll with their mirrorless Art series lenses.
Does the new 24mm F1. It brings a new, 25MP sensor and bit 4K capture at up to p. We've put it to the test, both in the studio and out in the field. In our tests it delivers big performance and offers a few good reasons why you might choose a 12th-Gen Intel laptop over a Mac.
Canon's high end APS-C mirrorless camera has plenty of compelling features, but is it worth the price? Jordan took it on vacation to find out. But is it enough to outclass the competition? We dive deep to find out where it excels and what it's like to fly. These capable cameras should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best. If you're looking for the perfect drone for yourself, or to gift someone special, we've gone through all of the options and selected our favorites.
Although a lot of people only upload images to Instagram from their smartphones, the app is much more than just a mobile photography platform. In this guide we've chosen a selection of cameras that make it easy to shoot compelling lifestyle images, ideal for sharing on social media.
Travel with Peter to see how he shoots, and view some of the spectacular photos he captures along the way. Includes sample gallery. We go hands-on with Sigma's latest 'Digital Native' wide-angle lenses for L-mount and Sony E-mount cameras to see what features they have and what sets them apart from the rather limited competition.
Sony has announced in-camera forgery-proof photo technology for its a7 IV mirrorless camera. The technology, aimed at corporate users, cryptographically signs images in-camera to detect future pixel modification and tampering. It uses tracks, cords and hooks to store your gear flat against the wall without hiding it from view. The new Sigma 24mm F1. Check out our sample gallery to see how sharp it is, as well as how it handles flare, chromatic aberrations and sunstars. Sigma's new 20mm F1.
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